Angels Vs. Demons Christina Gubbels - 1219 Words

Angels Vs. Demons Christina Gubbels Good versus evil has been a debate for those who believe and those who don’t for thousands of years. Angels and demons being the center of the subject, brought forward by religions and cultures in our world. There are standards that people go by to bring attention to or not bring attention to one or the other. Although science tends to disprove the existence of both, there seems to be many who believe enough with evidence either physically or by personal experience. Both represent the supernatural world, a world that most don’t see, yet some have the ability to see and experience. Is one stronger than the other? According to the Bible, demons have a sealed fate of defeat which makes angels much stronger and undefeated. Angels and demons differ in many ways, yet both are noted in the Bible. Why should we believe in angels or demons? To get a better understanding as to why miracles happen, and perhaps why unfortunate events occur we can learn from a different perspective. It is one that makes people uncomfortable, yet many believe and see the world in a different perspective. Angels are heavenly beings that have specific assignments so to speak. They are sent by God to relay a message, assist in a humanly spirit to ascend to Heaven or to intercede in something that is not the right path or outcome for a person. The bible speaks of different heavenly Angels, who have specific tasks surrounding their being. Some stay in heaven to do as

OConnor and Dagoberto - 1591 Words

It is believable that O’Connor and Dagoberto are known as writers of high caliber. The way that they write is out of ordinary and their muses are unparalleled. Each of them offers a great taste of writing to their readers and their stories sound very pleasant to savor. However, this paper will oppose â€Å"A Good Man Is Hard to Find† to â€Å"Love in L.A.† The focus will be on these themes: symbolism, characters, theme, tone, irony and moral code used in them. The demographic location of A Good Man is Hard to Find† is somewhere in Georgia; however, the author does not give all the descriptive information of the location. The story begins in an unnamed city where the family resides. The writer makes his readers see all the locations where the family has visited. For instance, he mentions â€Å"the old plantations,† â€Å"Red Sammys roadside barbeque eatery.† In â€Å"Love in L.A† it looks like the scenery takes place at the Freeway of Los Angeles. In reality, in term of settings, each story occurs in a different city. Each city impacts the story in its own way and contributes to the aesthetic part of it. The readers discover what each city offers and becomes knowledgeable about the physical aspect of each of them. One can relate that the in both stories share some similarities and some differences at the same token. The geographical setting of each story allows the characters to move around and act in different fashion. None of them resembles to static, but everyone moves along as each storyShow MoreRelatedA Love in La and Good Man Hard to Find Essay examples1244 Words   |  5 Pagesavoid his desire and make him hang loose in middle of nowhere. A second opinion on the issue is that the grandmothers final act was not an act of charity and that she is yet again trying to save herself from being murdered. Some say that Flannery OConnor uses the excuse as the grandmothers final moment of grace to save the story from the bloodshed and violence. It is also pointed out that by the time the grandmother touches the Misfit, proclaiming he is her son, he is wearing Baileys shirt. Other

Analysis Of Flowers For Algonnon By Platos Flowers For...

In â€Å"Allegory of the Den† by Plato, he writes about prisoners chained in a cave. They all believe in one shadow, without any other truth contradicting them. But one day a prisoner was set free and let out of the cave. This prisoner sees the â€Å"sun† or the real truth, which is hard to believe at first, but once the truth is accepted the prisoner can’t believe they thought something any other way. In â€Å"Flowers for Algernon† by Daniel Keyes, this story has the same set up. Charlie Gordon had always thought that he was treated equal to his friends and colleagues. However after the operation is complete and Charlie gains intelligence, he begins to realize that they never believed him to be equal, but more as an inferior human compared to the†¦show more content†¦At first, Charlie went about his business as he would normally do, working in the factory, but as time passed Charlie realized that he was never friends with Joe Carp and Frank Reill y or remotely close to being taken seriously. This comes to be when they brought him to a bar and made a fool of him dancing but this time for Charlie, instead of laughing, he felt ashamed and upset: â€Å"Now I know what it means when they say ‘to pull a Charlie Gordon.’† (107.) This throws Charlie through a loop. He had been working alongside these people for a while now, truly believing that they were his friends only to find out he was only kept around for a laugh. This is when Charlie develops new feelings of embarrassment toward himself around others: â€Å"I never knew that Joe and Frank and the others liked to have me around all the time to make fun of me†¦ I’m ashamed.† (107.) This is upsetting because he thought when someone laughed at him, it meant they were your friends. Sadly it all turned out to be a lie, just like when the prisoner sees the sun and realizes that their past belief was far from the truth. Now that Charlie is intelligent, there was no way to return into the original cave and belief that Charlie had true friends. So he decided to move on and come to terms with the fact that true friends don’t make fun of someone because of a disability. Charlie now knows that friends should support people and try to make them feel welcomed. However, a couple days after Charlies

Abstract Expressionism Essay Example For Students

Abstract Expressionism Essay What about the reality of the everyday world and the reality of painting? They are not the same realities. What is this creative thing that you have struggled to get and where did it come from? What reference or value does it have, outside of the painting itself? Ad Reinhardt, in a group discussion at Studio 35, in 1950. My essay starts with the origin and the birth of this great expression in the twentieth century. This movement not only touched painting, it had an affect on various aspects of art- poetry, architecture, theater, film, photography. Vasily Kandinsky, Kazimir Malevich and Piet Mondrian are considered to be the pioneer artists to have achieved a truly abstract visual language in painting. Although they worked independently, these artists were united by a belief that abstract painting was capable of evoking a spiritual experience. A central figure of German Expressionism, Kandinsky, in 1911, began to paint densely layered composition of free-floating lines and areas of color, with the intention to reveal his desire to instill visual form with the properties of music. To examine the transitional phase bridging these two movements, we must first define what cultural and artistic shifts are. According to T.S Eliot, culture includes all the characteristic activities of a people: Derby Daythe pin tablenineteenth-century Gothic churches and the music of Elgarwhat is part of our culture is also a part of our lived religion. 1 Therefore, a shift in culture would denote a change in the qualities of a person or society arising from a concern for what is reckoned as excellent in arts, manners and scholarly pursuits.2 On the other hand, art defined on its own represents the satisfaction of aesthetic standards and sensibilities through an appreciation of beauty or good taste; at the same time, it is the demonstration of the ability to create with excellence. 3 Thence, an artistic shift would mean a transition in both aesthetic values and styles, as well as creative techniques. Let us consider the causes of these changes. Art is most often affected by the culture of the society that creates it. It is intertwined with politics, and sometimes functions as a political commentary or critique. Art aims to be an expression of political discourse as the ultimate means of emancipation-absolute freedom from commodification, if such is still possible. Art is a critical necessity as long as it fights being a part of the spectacle, as it aims to turn the spectacle upside down, in order to expose the culture industry. Politics, in many ways, acts as a catalyst to cultural and artistic developments. A cultural shift is often induced by a change in sociopolitical atmosphere. This was evident in the cultural shift between the period of Abstract Expressionism and Pop Art. During the period immediately after World War Two, disgust at war, and the emerging Cold War prompted society to turn to an anti-materialistic, apolitical lifestyle. They became more concerned with what lays within, exploring the idea of purity, hence their interest for the so-called High Art represented by Abstract Expressionists such as Jackson Pollock, Willem De Kooning and Hans Hofmann. The regard for purity in the soul was expressed by non-figurative, expressive action paintings often associated and concerned with colours, lines and shapes. Unlike Abstract Expressionism, when the heyday of Pop Art arrived, spearheaded by such champions as Warhol, (with America enjoying great success in its post-war boom and Cold War strategies against USSR), the whole of the United States was engrossed in its flourishing economy and mass culture. It was a time during which popular prints were instrumental in helping to shape the perceptions of the vast majority.4 Ever since the end of World War Two, periodic political and economical upheavals have marked the emergence of the American art. The previously dominant European art world began to evolve around American art since the late 1940s, creating a brand new artistic and cultural atmosphere for the American artists. Though American artists shared a similar global reality with the Europeans, their socio-political circumstances differed.5 Unlike the European states, the United States of America had sustained minimal moral and physical damage during the war. This however, nurtured a culture of apolitical apathy among the ordinary Americans who became much concerned with the search for self-enrichment. Impression, Sunrise EssayHaving understood the pre Cold War atmosphere in America, it may be seen that the artists profession was, in itself, a magnet for suspicion. If you were a modernist, then according to Michigan Congressman George E. Dondero, you were an international art thug working in un-American Communistic styles.6 Therefore, any suggestion of being associated with liberal causes could result in accusations of disloyalty to the American way. Thus it was prudent to avoid political controversy in ones art. The resultant artistic focus on purely personal truths was expressed in the essence of the later Abstract Expressionist works. Contrast this with Pop Art, which celebrated post-war consumerism, as the post-war economic boom resulted in an era of glitz and consumerism. It created a generation in which anything and everything was available on the open market. In the 1960s, at the height of the Cold War politics, many were concerned with popular cultures political as opposed to aesthetic impact.7 The age of Pop Art on the other hand, turned this idea around. As Sontags stated in the essay One Culture and the New Sensibility8, the dizzying rate of cultural and technological change had produced a new (potentially unitary) sensibility, one that emerged from the breakdown of old cultural boundaries-between science and art, high culture and low. There arenew standards of beauty and style and tasteFrom the vantage point of this new sensibility, the beauty of a machine or of the solution to a mathematical problem, of a painting by Jasper Johns, of a file by Jean-Luc Godard, and of the personalities and music of the Beatles is equally accessible.Thus far, we have discussed the nature of the cultural shift between the two movements. We must now turn our study to the artistic shift, the product of the intangible change in social culture through the decades.